On the night of an astronomical anomaly, eight friends at a dinner party experience a troubling chain of reality bending events. Part cerebral sci-fi and part relationship drama, Coherence is a tightly focused, intimately shot film that quickly ratchets up with tension and mystery.

In 1972, a team of New York City exploitation outlaws that included Ed Adlum, Ed Kelleher and Michael & Roberta Findlay – along with first-time assistant cameraman and future award-winning cinematographer Frederick Elmes (ERASERHEAD, BLUE VELVET) – descended on bucolic Westchester County with 8½ bottles of stage blood to make a movie about a Druid cult seeking to resurrect their dead queen. The budget was $24,000. The cast was paid in beer. And the result remains one of the greatest achievements in schlock/shock cinema history. Severin Films is proud to present this “accidental masterpiece” (Horror News) like you’ve never seen it before, now scanned from the original negative for the first time ever.

Shannon Hoon, lead singer of the rock band Blind Melon, filmed himself religiously from 1990-1995 with a video camera, recording up until a few hours before his sudden death at the age of twenty-eight. His camera was a diary and his closest confidant. In the hundreds of hours of footage, Hoon meticulously documented his life—his family, his creative process, his television, his band’s rise to fame, and his struggle with addiction. He filmed his daughter’s birth, and archived the politics and culture of the 90s, an era right before the internet changed the world. Created solely with his own footage, voice, and music, this rare autobiography is a prescient exploration of experience and memory in the age of video. It is also Hoon’s last work, completed twenty-three years after his death.

More than 30 years later, it remains one of the most ambitious, sought-after and totally bizarre low-budget Canadian features of all: Yugoslavian-born actor Lazar Rockwood in a debut performance Canuxploitation.com calls "creepy, astonishingly uncharismatic, and displaying a complete disregard for the craft of acting" is Boris, an ex-con and career thief who convinces his ex-girlfriend (Bonnie Beck) to help him rob her wealthy boss' castle. But when Boris discovers that the eccentric millionaire has booby-trapped the building, they'll have to survive six riddle-triggered rooms of homicidal mayhem in order to claim the treasure. Writer/director (and future best-selling religious thriller author) B.D. Benedikt made his unforgettable filmmaking debut with this bottom-shelf VHS classic.

The Ozploitation classic– and one of the most unique shockers of the ‘80s –returns like never before: Michael Murphy (MANHATTAN), Dan Shor (BILL & TED’S EXCELLENT ADVENTURE) and Fiona Lewis (THE FURY) star in this grisly saga of bizarre experiments, butchered teens, New Zealand doubling for suburban Illinois, and a killer in a Tor Johnson mask. Dey Young (ROCK ‘N’ ROLL HIGH SCHOOL), Marc McClure (SUPERMAN), Scott Brady (JOHNNY GUITAR) and Academy Award® winner Louise Fletcher (ONE FLEW OVER THE CUCKOO’S NEST) co-star in this cult favorite – released in America as STRANGE BEHAVIOR – featuring a hypnotic score by Tangerine Dream, co-written by the Oscar®-winning director of GODS AND MONSTERS, directed by the producer of TWO LANE BLACKTOP, now transferred in HD from the original negative and presented totally uncut for the first time ever.

Upon its release in 1991, Tribulation 99 became an instant counter-culture classic. Craig Baldwin's "pseudo-pseudo-documentary" presents a factual chronicle of US intervention in Latin America in the form of the ultimate far-right conspiracy theory, combining covert action, environmental catastrophe, space aliens, cattle mutilations, killer bees, religious prophecy, doomsday diatribes, and just about every other crackpot theory broadcast through the dentures of the modern paranoiac. A delirious vortex of hard truths, deadpan irony, and archival mash-ups—industrials, graphs, cartoons, movies from Hollywood B to Mexican Z—Tribulation 99 constructs a truly perverse vision of American imperialism.

In this 1960's Italian Christmas musical, an attorney in once-upon-a-time-land named Sam is startled to receive a visit from a dejected Santa Claus shortly before Christmas. A mean old soul named Phineas Prune, who holds the deed to the North Pole, is demanding back rent, and he's going to evict Santa and take all the Christmas toys! It's up to Sam and Santa to find a way to pay off Prune and prevent Christmas from being canceled.

A bar mitsvah band director searches for a new singer.

As the ‘body-count’ genre stabbed its way into audiences’ hearts in the early ‘80s, EuroTrash auteur Jess Franco (Sadomania, Mansion Of The Living Dead) was asked to create his own saga of slaughtered schoolgirls complete with gratuitous nudity, graphic violence, and gory set pieces. But just when you thought you’d seen it all, Franco shocked the world by delivering surprising style, genuine suspense and a cavalcade of depravity that includes incest, voyeurism and roller disco. The luscious Olivia Pascal of Vanessa fame stars in this twisted thriller that was banned in England yet is now presented uncut and uncensored – including the complete ‘stone mill power saw’ sequence

In 1970, cult director Jess Franco and screen legend Christopher Lee collaborated on what they promised would be the most faithful adaptation of Bram Stoker’s novel ever filmed. From its remarkable performances – including Lee as the Count, Herbert Lom (MARK OF THE DEVIL) as Van Helsing, Soledad Miranda (VAMPYROS LESBOS) as Lucy, Maria Rohm (VENUS IN FURS) as Mina, and authentic madman Klaus Kinski as Renfield – to its lush locations and atmosphere of sinister sensuality, it remains perhaps the most spellbinding version of Dracula in movie history. Fred Williams and Paul Muller co-star in this “thrilling” (Twins Of Evil) and “fascinating” (Arrow In The Head) horror classic, now fully restored and re-mastered in high-definition for the first time ever.

In a dystopian future ruled by the wealthy and attractive, a deformed and disabled terrorist organization known as ‘Mutant Action’ will kidnap an heiress, flee to a desolate mining planet and trigger an intergalactic bloodbath of berserk vengeance. Co-produced by Agustín & Pedro Almodóvar and winner of three Goya Awards, Acción Mutante is "“crazy genius sci-fi classic you’ve probably never seen” (A Taste of Cinema). 

Thomas (Marquard Bohm, Kings of the Road) gets a ride to Munich where he finds his ex-girlfriend Peggy (counter culture activist and model Uschi Obermaier) who takes him in. In her flat he finds Peggy and her roommates have a commune-like lifestyle where they kill the men in their lives after five days, but will Thomas realise in time? A pop fantasy focused on the post-’68 and women's liberation movements, Red Sun was compared to a comic strip by Wim Wenders and is a beautiful art-genre collision that is both brilliantly bizarre and provocative. Director Rudolf Thome was an emerging talent in the New German Cinema alongside Wenders, Fassbinder and Herzog, but received little international distribution and fell into obscurity despite a consistent career covering six decades. Radiance Films is proud to present Red Sun to English-speaking audiences for the first time in a restoration overseen by Thome. 1970.

His award-winning FX career spans both grindhouse (Brain Damage, Frankenhooker,) and art-house (Matthew Barney's Cremaster Cycle). Now writer/producer/director Gabe Bartalos brings his own years-in-the-making vision to the screen, as an unhinged orchestra conductor named Bernard graphically descends into a surreal odyssey of chaos, psychosis and "f*cked-up sh*t that looks cool as hell" (Bloody-Disgusting.com). Warwick Davis and notorious Andy Kaufman cohort Bob Zmuda co-star - with a performance by punk legends The Damned - in this "must-see for the truly adventurous", transferred from the original negative and unleashed beyond the underground festival circuit for the first time ever.

Two lunkheads get dumped by their friends in the desert. One guy is wearing a Twisted Sister t-shirt and one is wearing a Kiss t-shirt. They don't like each other. They have problems. This film really resonated in the alternative film scene in the late 1980s. Very few artsy-fartsy film folk were shooting narrative, especially of the angst-filled variety. There was a hunger for this stuff. This predates, but anticipates, the underground film movement that would blossom in the early 1990s. 1989.

Arthur Miller's The Crucible is regarded as a central work in the canon of American drama. Written in response to the Congressional investigations into American Communism in the 1950's, it is a semi-fictional dramatic play intended to parallel the Salem witch trials of the late 1600's. This landmark 1967 TV adaption starring George C Scott, Colleen Dewhurst, and Melvin Douglas garnered three Emmy nominations.

Christopher Munch’s boldly original debut, THE HOURS AND TIMES (1992), is a fictional account of what might have happened in April 1963, when John Lennon and Beatles manager Brian Epstein traveled to Barcelona for an extended weekend getaway. In the four days they spend together, the suave Epstein (played by David Angus) and the provocative Lennon (Ian Hart in his first starring role) reflect on their lives, both private and professional, as they explore the unique bond they share. Munch’s sparse and intimate narrative, captured with exquisite black-and-white cinematography, is a thoughtful meditation on friendship and sexuality, crafted around a brief moment in the lives of two extremely well-known pop figures.

Acclaimed director David Cronenberg delivers a high-tension epidemic of horror. After undergoing radical emergency surgery after a motorcycle accident, Rose (Marilyn Chambers, Behind the Green Door) develops an insatiable desire for blood. She searches out victims to satisfy her incurable craving, infecting them with an unknown disease which in turn swiftly drives them insane… and equally bloodthirsty!

Thrown into the penal hell of Connorville, petty criminal Jacqueline (Erica Gavin, Beyond The Valley Of The Dolls) must fight against the ruthless inmates, a cruel warden (Barbara Steele, Nightmare Castle) and a depraved staff. Eventually she forms an uneasy friendship with two hardened inmates. When these three unite, they find themselves on a sexy and violent adventure seeking escape, money and revenge. Caged Heat is a seminal WIP film directed by Jonathan Demme (Silence of the Lambs) featuring with a stirring Blues score from John Cale.

Who Took the Bomp? Le Tigre on Tour follows iconic feminist electronic band Le Tigre on their 2004-2005 international tour. Le Tigre confronts sexism and homophobia in the music industry while tearing up the stage with their no-holds-barred lyrics, punk rock ethos, and whip-smart wit.

In this atmospheric blaxploitation classic, a young Christian mother turns away from her faith to a more ancient religion… and summons a tribal priest from the dead to avenge her teenage daughter. Rarely seen since its original release, this striking blend of folklore, African traditions, and supernatural menace stars cult icon Marlene Clark (Night Of The Cobra Woman, Ganja and Hess, Enter The Dragon) . It’s also one of the rare instances of the blending of horror with ‘blaxploitation’! With a great tribal funk soundtrack by Howard Roberts.