Riveting excitement and take-your-breath-away action combine with jaw-dropping beauty in RETURN TO SAVAGE BEACH. A stolen floppy disc filled with information about the location of a mythical treasure on Savage Island lures villains and L.E.T.H.A.L. Agents into a dangerous treasure hunt. This high-speed adventure travels from the bayous of Louisiana to the mystery of the Hawaiian tropics.

This Night Flight episode focuses on religion in music, from the satanic accusations against Ozzy Osbourne to the Christian rock band Stryper. Also featuring videos from The Saints and XTC.

In Issues With my Other Half, deep-seated fears are visualized as surreal nightmares. Things get really creepy when the upper and lower torso of a woman move separately on two swings, one behind the other. Or when her head mutates into a cellphone on which she scrolls while bent over. Any laughs die down when an arm becomes a baguette that a knife cuts open, or when a hair dryer not only dries the woman’s wet hair, but melts the entire face into a gelatinous surface. At the end, only the upper half of the artist jumps into the water from a wooden boat – she then turns around to look for the lower part of her body. The circle closes both humorously and eerily at the same time: at the beginning, the head in the hourglass symbolizes the irrevocable finitude of physical life; at the end, a modest earthly pleasure leads to symbolic death. Nothing works the way it should or even the way one wants it to – except for the cinematic animation. (Brigitta Burger-Utzer)

A special on legendary rock band Bauhaus, dubbed the "originators of Goth Rock," featuring interviews with members, videos from later spin-off band Love and Rockets, as well as the solo career of frontman Peter Murphy.

Academy Award®–winning actress Melissa Leo (The Fighter) stars as Cookie, a teen runaway who escapes her abusive stepfather and heads for the Big Apple along with her younger brother. When she arrives at the Port Authority bus terminal, Cookie meets a charming but sadistic pimp named Duke (Dale Midkiff, Pet Sematary). With nowhere to go, Cookie is soon working for Duke, who introduces her to the harsh, brutal life of a prostitute. A harrowing, fast-paced ride through the lurid streets of New York's terrifying underbelly.

Directed by Academy Award-winner Fred Wolf, "The Point" tells the story of Oblio, a round-headed boy living in the land of "Point," where everything and everybody has one. Oblio, along with his trusty dog, Arrow, is banished to the Pointless Forest. The tale is narrated by Ringo Starr and includes songs written and sung by Grammy Award-winner Harry Nilsson.

In what fans consider his last great film, Godfather of Gore Lucio Fulci returns to the startling imagery and bloody excesses of his '70s/'80s classics for an unholy saga of demonic nuns and supernatural carnage: When a Canadian archeological team begins excavating the ruins of a medieval Sicilian monastery, they will unleash the vengeance of a crucified coven of satanic sisters with full-on Fulci fury. Brett Halsey (THE DEVIL'S HONEY), Lino Salemme (DEMONS), Christina Engelhardt (SKINNER), Al Cliver (THE BEYOND, ZOMBIE) and Fulci himself star in this "solid horror from a true master" (Blu-ray Authority) co-written by Piero Regnoli (BURIAL GROUND, MALABIMBA), now scanned in 4k from the original negative recently discovered in the attic of a Collevecchio convent.

This trio of atmospheric horror tales start with: Il Telefono (The Telephone) A woman terrorized in her apartment by phone calls from an escaped prisoner from her past; I Wurdulak" - Vladimire d'Urfe (The Wurdalak) Starring Boris Karloff plays a Russian count in the early 1800s who stumbles upon a family in the countryside trying to destroy a particularly vicious line of vampires; and a 1900-era nurse who makes a fateful decision while preparing the corpse of one of her patients and La Goccia d' Acqua (The Drop of Water) - an elderly medium who died during a seance. Starring the master of horrors; Boris Karloff and directed by the king of Italian horror Mario Bava! With original trailer!

Produced by Night Flight Creator Stuart S. Shapiro, Gorgon Video Magazine is an electronic gorefest featuring in-depth interviews with splatter masters, chilling special effects, and buckets more, hosted by Michael “The Hills Have Eyes” Berryman. Have a look at this 69-minute occasionally NSFW dubbed-from-VHS cult classic — which broke ground as the first horror video magazine dedicated to the healthy expression of guts, gore & carnage.

He defied all laws of good taste and international copyright with Shocking Dark and Robowar. He reset the bar for batsh*t crazy ItaloHorror with Rats: Night of Terror and Hell of the Living Dead. And in 1995, legendary director Bruno Mattei – here as ‘William Snyder’ – stunned the civilized world with this ultimate sharksploitation saga that liberally borrows characters, plot and footage from Joe D’Amato’s Deep Blood and Enzo G. Castellari’s The Last Shark (and that’s just the tip of a very litigious fin). Filmed in South Florida with a cast of now-ashamed unknowns that includes a Hulk Hogan lookalike, experience “the epitome of outrageous thievery cinema” (All Movie) – actually released in some countries as JAWS 5 – now remastered uncut in HD for the first time ever.

In his 1964 'monster musical,' a carnival gypsy turns sleaze auteur Ray Dennis Steckler into a homicidal maniac. Jaw-dropping singing/dancing ensues. In what The New York Times hailed as "his magnum opus," infamous indie auteur Ray Dennis Steckler (WILD GUITAR, THE THRILL-KILLERS) created what was billed as 'The First Monster Musical.' More than half a century later, it still must be seen to be believed: Producer/director Steckler stars - using the name 'Cash Flagg' - as a man who falls for a carnival stripper but is turned into a zombie by her evil gypsy sister. Homicidal mayhem and jaw-dropping singing/dancing ensues. Filmed in 'Hallucinogenic Hypno-Vision' and 'Terrorama,' Steckler's legendary epic is now restored from a recently unearthed 16MM vault element for the ultimate in Incredibly Strange viewing.

An infamous burglar and jewel thief known as "The Bat" plays cat and mouse with the police and terrorizes the occupants of a mansion, leased from a bank president who is in Europe. After the town bank is robbed, "the Bat" and a cashier named, Brook, who disappeared afterwards, are the main suspects.

Here’s an odd but nonetheless fascinating time capsule of late- Sixties social unrest filtered through the mind of Florida-based sexploitation producer-director HARRY KERWIN. Yup, the man who made Strange Rampage, My Third Wife George, and Girls Come Too - and who was also the brother of Blood Feast star Bill Kerwin ­ wanted to tap into the same youth market companies Like AlP were so good at exploiting. But lacking the funds to make something along the lines of an Easy Rider or a Wild in the Streets, Kerwin blissfully dispensed with both fiction and actors and, instead, went out and filmed The Real Thing. Combining (rough, raw) authentic footage of bikers, peace protestors, and the crowd at a rock festival, he created the mondoesque It’s a Revolution Mother! a self-described "Documentary of Love" tied together with an exuberant (and often hilarious) anti-government-anti­ establishment-anti-Vietnam-war-pro-rebellion rant -written by TOM CASEY, director of Sometimes Aunt Martha Does Dreadful Things (’71) - delivered by an uncredited narrator who sounds like an AM disk jockey on speed.

Banned and heavily censored throughout the world, here is a film that surpasses its reputation as a shotgun blast to the senses. CANNIBAL HOLOCAUST presents the ‘found footage’ of four documentary filmmakers who experience brutal death at the hands of a savage South American tribe of flesh-eaters. The footage is so intense so graphic and so unflinching in its realism that the director and producer of CANNIBAL HOLOCAUST were arrested on its original release and the film was seized. Not for the weak of stomach, the film’s horrifying power cannot be denied. Be forewarned: This is the one that goes ALL THE WAY!

The Vice Girls Are Back! Didi (Linnea Quigley) and Holly (Ginger Lynn Allen) are Vice cops on their first assignment. Arch-villainess Spanish Fly (Marina Benvenga) is threatening to poison the water supply with an aphrodisiac. The girls infiltrate Fly's headquarters - The Vicearama Club, the seediest, sleaziest hotspot in town. While Holly and Didi get mixed up in a sexy striptease act, the police unveil their secret robot weapon: Bimbocop (Teagan). You have the right to remain silent, but you won't-you'll laugh your brains out at this campy, cop comedy classic!

The Men Who Make the Music combines concert footage from DEVO's 1978 tour with music videos and testimonials featuring a vague story about DEVO's rocky relationship with "Big Entertainment."

Elaine, a beautiful young witch, is determined to find a man to love her. In her gothic Victorian apartment she makes spells and potions, and then picks up men and seduces them. However, her spells work too well, leaving her with a string of hapless victims. When she finally meets the man of her dreams, her desperation to be loved will drive her to the brink of insanity and murder. With a visual style that pays tribute to Technicolor thrillers of the ‘60s, THE LOVE WITCH explores female fantasy and the repercussions of pathological narcissism.

It was begun by Sergio Corbucci (Django), completed by Antonio Margheriti (The Long Hair of Death) and remains one of the true masterpieces of Gothic Horror. When a cynical journalist accepts a wager that he won’t survive the night in a haunted castle, it will unlock an odyssey of sexual torment, undead vengeance and a dark seductress (the legendary Barbara Steele) who surrenders the gravest of pleasures. “A classic cornerstone of the EuroHorror Renaissance.” (DVD Savant)

Jennifer Lynch, daughter of cult film auteur David Lynch, made her auspicious directorial debut in 1993 with cult classic Boxing Helena. She was the youngest American woman to direct a feature film, and after that she took an extended hiatus. Fifteen years later, a recovering addict and hard-working single mother, Lynch returns to the director's chair with an ambitious project that will test her skills and the entire crew's sanity. Despite the Gods brings us behind the scenes on the set of Lynch's Bollywood/Hollywood action film about a man-eating snake goddess. In the spirit of LOST IN LA MANCHA and OVERNIGHT, Penny Vozniak, friend of one of the producers hired on to do behind-the-scenes on HISSS, ended up chronicling Lynch slowly losing her grip over a much-extended eight-month shoot.

Officer Joe Vickers (Robert R. Shafer) is the meanest and deadliest cop in LA, leaving behind a never-ending stream of bloodied bodies, in the name of justice. The fact that he also happens to be a Satan worshiping member of the undead doesn't help much either. After overhearing some office workers discussing a secret drug and sex filled after-hours party they're planning to host that night, Vickers decides to take the law into his own hands, disposing of the rebel rousers in a series of gruesome ways. Will the hapless partiers be able to outsmart and survive his brutal tactics before the night is through? Director Adam Rifkin's (Detroit Rock City) no-holds-barred slasher/comedy classic moves gleefully between blood drenched killings and sex comedy antics, resulting in a '90s exploitation gem unlike any other.