Two vice cops get entangled in a web of prostitution, blackmail and murder.

While under sedation in a dentist's office, a young art student has sex fantasies about naked women, vampires and a beautiful patient he saw in the office.

Here’s an odd but nonetheless fascinating time capsule of late- Sixties social unrest filtered through the mind of Florida-based sexploitation producer-director HARRY KERWIN. Yup, the man who made Strange Rampage, My Third Wife George, and Girls Come Too - and who was also the brother of Blood Feast star Bill Kerwin ­ wanted to tap into the same youth market companies Like AlP were so good at exploiting. But lacking the funds to make something along the lines of an Easy Rider or a Wild in the Streets, Kerwin blissfully dispensed with both fiction and actors and, instead, went out and filmed The Real Thing. Combining (rough, raw) authentic footage of bikers, peace protestors, and the crowd at a rock festival, he created the mondoesque It’s a Revolution Mother! a self-described "Documentary of Love" tied together with an exuberant (and often hilarious) anti-government-anti­ establishment-anti-Vietnam-war-pro-rebellion rant -written by TOM CASEY, director of Sometimes Aunt Martha Does Dreadful Things (’71) - delivered by an uncredited narrator who sounds like an AM disk jockey on speed.

To celebrate 20 years of Something Weird bringing the world the very best in subversive, disreputable, and cult cinema, SWV made available four exceedingly rare, never-before-released jewels that will make any cinephile’s head light up and spin. Rosie (b&w) is a failed 19-minute pilot for a TV sitcom about a talking dog named Rosie. It is absolutely horrifying. Why? Because the dog is not played by a real canine (or a puppet or a cartoon) but by a large adult in a mangy dog suit with a creepy dog face, clumsily walking around on his hands and knees. The Weird World of Weird (1970, color) is a loony 47-minute never-aired TV special in which host RALPH STORY explores psychic phenomena, astrology, witchcraft and “all those mysterious secrets hidden in the mystical world of the occult.” with detours to a psychic “balloon reader” and a spook-filled séance at the Magic Castle. It's got a groovy, late-60s psychedelic feel to it all that makes it a wonderfully bizarre time capsule. Follow That Skirt (1964, color) is a nasty little 26-minute short that was probably intended to be America’s second gore film. Though not released until 1965 when, according to Dave Friedman, it played a single theater in San Francisco, there’s little doubt that Blood Feast was its influence. Based on the popularity of its trailer, The Smut Peddler (1965, b&w) is among a handful of currently “lost” films that Something Weird (as well as the rest of the world) has been actively searching for. So we were thrilled when we at least found this much in excellent condition. And, yeah, it’s good stuff. A crude oyster-eating publisher, a lesbian secretary, and a French photographer all love mauling and exploiting their lovely nude models while W.B. PARKER (Olga’s House of Shame) is shocked and appalled. - Frank Henenlotter

Celebrate Jesus’ birthday the way it was intended – with greedy kids clamoring for toys, creepy guys in bad Santa suits, and retro holiday highlights lovingly curated by Santa's Little Helpers at Something Weird Video!

We love films about Good Girls going to Hell. We love the cheap-thrill appeal of seeing a Miss Goody-Twoshoes leave Small Town America for the Big Bad City and end up falling face-first in the gutter. So, of course, we love Night of Evil which (then big deal) syndicated columnist EARL WILSON introduces by claiming it’s “based on newspapers and court records. It is a true story. To protect the innocent, some of the names, places, and incidents have been changed.”

Ring in the holidays with nostalgic Christmas-themed theatre intermissions, weird cartoons, creepy stop-motion animation, and, brace yourself, Liberace! These hand-picked classics from Something Weird Video are sure to delight, disturb and put you in the spirit of the season.

Reefer Madness is a 1936 American propaganda film revolving around the melodramatic events that ensue when high school students are lured by pushers to try marijuana—from a hit and run accident, to manslaughter, suicide, attempted rape, hallucinations, and descent into madness due to marijuana addiction. The film was directed by Louis Gasnier and featured a cast of mainly little-known actors.

Yipes! A veritable banquet of "Bad Cinema," Monstrosity is so gloriously stupid as to be almost brilliant. Surprisingly, director JOSEPH V. MASCELLI, who also shot three Ray Dennis Steckler gems - Wild Guitar, The Incredibly Strange Creatures, and The Thrill Killers - is best known as the author of two excellent works, The American Cinematographer Manual and The Five C's of Cinematography: Motion Picture Filming Techniques, neither of which mentions Monstrosity. Released to television as The Atomic Brain and usually seen in grainy 16mm dupe prints, Something Weird's transfer has been digitally remastered from a crisp 35mm theatrical print - under its original Monstrosity moniker - and is incongruously beautiful.

1950s Archival short subject “The Dance Of Tomorrow,” featuring a glimpse into the future of automobiles.

From director Frank Henenlotter (Frankenhooker, Brain Damage) and co-producer Mike Vraney (the late founder of Something Weird Video) comes the epic documentary critics call "fascinating" (Video Watchdog), "titillating" (Time Out Los Angeles) and "jaw-dropping" (Seattle Weekly): Henenlotter and legendary exploitation monarch David F. Friedman - in his final film appearance - are your hosts for this eye-popping expedition through the world of pre-code peekaboos, stags, sex-hygiene films, goona-goonas, nudie-cuties, roughies, druggies, white-coaters and more, featuring thousands of spicy, steamy and downright sleazy clips from the SWV archives.

Two American GIs and the sole survivors of a battle on an isolated island must put aside their differences in order to evade the Japanese and survive.

“The Film That’s Scorchin’ The Nation’s Screens!” The She who Shoulda Said ‘No’! is honeypot LILA LEEDS (Lady in the Lake, Moonrise) who was busted for doing doobies with rugged Robert Mitchum just months before this updated upgrade of Reefer Madness. Cashing in on the notoriety of “The Screen’s Newest Blonde Bomb,” KROGER BABB, “America’s Fearless Showman,” promoted the film as “The Story of Lila Leeds and Her Expose of the Marijuana Racket!” (She’s even costumed in the same suit she wore when she was sentenced with Mitchum!)

A woman transforms herself into a black-clad, karate-chopping vigilante and strikes back at the gangsters who killed her sister.

The son of a murdered truck driver starts driving his own 18-wheeler to infiltrate the world of suspects who may have committed the crime.

When four degenerate thugs rape and murder a young waitress in part of their rape and murder spree, they are arrested, but get away with though a legal technicality. The brother of one of the rape/murder victims decides to become vigilante and kill the four degenerates by himself.

Teenagers pack a van full of beer and go on the road in search of sexual adventures.

Featuring America’s ultimate pin-up goddess, Bettie Page! The Queen of the Curves teams up with fellow bump-and-grind legends, Lily St. Cyr, Tempest Storm, Chris LaChris, and Trudy Wayne, along with an assortment of bags-pants comics, for the holy grail of full-color girl flicks.

A spy discovers that the Chinese government has created a doomsday device (the "key" to which, "only Chairman Mao has") capable of destroying the Earth and it will be activated in 72 hours.